The Altair of Prometheus ------------------------ One of my projects this summer involves putting together a small exhibit commemorating the 50th anniversary of the Altair 8800 which, as the first commercially successful personal computer, basically launched the microcomputer revolution in the late 70s. The exhibit will be installed for a month, in a couple of display cases abutting a square pillar just inside front entrance of our university's main library. I think we've got the makings of a credible display: - an original(-ish) Altair 8800, fully refurbished and somewhat improved [1]. To be displayed with the case cover removed, of course - copies of "Computer Notes", the official MITS Altair newsletter, including the issue wherein Bill Gates castigates hobbyists for making illicit copies of Microsoft's first ever product, Altair Basic [2] - The January 1977 issue of Byte Magazine. The cover, an illustration by Robert Tinney, depicting an Altair computer and terminal. Behind the computer is a window through which we see a drab, polluted industrial landscape, and on the terminal screen is an idyllic, futuristic city in a sunlit, park-like setting. [3] - A poster derived from a high-resoluton scan of "The People's Computer", Kim Behm's "social realist" depiction of a man and woman heroically holding Altair computers [4] - A poster derived from a scan of a page from Ted Nelson's "Computer Lib/Dream Machines" describing the Altair and its status as the "crystallizing event" in the emergence of "the computer underground". [5] - And, for interactivity, an AltairDuino running Eliza since I'd be a little hesitant to run our real Altair, even refurbished as it is, in a public place for a month. We ain't the Living Computers Museum (and sadly these days no one else is, either). Since we're a University Library, even a small exhibit such as this needs to have a unifying theme, it can't be just "Here's a bunch of cool old computer stuff we happened to have lying around." Fortunately the Altair, by virtue of its having been situated as both the embodiment of the countercultural dream of "computer power to the people" _and_ as the foundational event in the development of corporate computing giants like Microsoft and Apple, offers a great opportunity to explore the beginnings of a dialectic, a struggle, that has persisted ever since. So the narrative conceit linking these artifacts is, basically the story of Prometheus (Gates/Wozniak/Jobs), stealing fire (computation) from the Gods (industrial giants like IBM and the corporations, governments and militaries they served) and handing it off to the common folk (us), to wield as we will. I didn't invent that metaphor, to be sure - in fact, the chapter that chronicles the advent of the Altair in John Markoff's "What the Dormouse Said: how the sixties counterculture shaped the personal computer industry" is entitled "Stealing Fire From the Gods". But as Markoff notes, the Prometheans ultimately betrayed the countercultural goals of idealists like Fred Moore, becoming the catalyst for what eventually came to be called "the largest legal accumulation of capital in history". I will admit, it does somewhat complicate the narrative that many of those early benefactors did not at all suffer the grusome fate of Prometheus but instead went on to become a new pantheon of computer Gods, setting the rest of us up for an endless struggle in which we must resist their ongoing attempts to reclaim the sole right to fire for themselves. Well, the old myths only take us so far I guess. References ---------- [1] Restored Altair 8800 http://madrona.ca/e/altair8800i/index.html [2] Open Letter to Computer Hobbyists https://en.wikipedia.org/wiki/An_Open_Letter_to_Hobbyists [3] Byte Magazine, January 1977 issue https://digibarn.com/collections/mags/byte-covers/BYTE-1977-01-cov1.jpg [4] The People Computer https://vintagecomputer.net/images/thm_byte_june_1976_back_cover.jpg [5] Computer Lib/Dream Machines https://archive.org/details/computer-lib-dream-machines (page 3 of the scan) Mon Jun 30 11:34:15 PDT 2025