NITETIME.NET: PROJECT OVERVIEW
==============================

Nitetime.net is an independent late-night streaming broadcast,
multimedia project, and experimental music operation created and
run by Daniel "Dan" Conderman, who also performs as DJRC.

It is one station with several transmitters: a Web broadcast, a
music project, a workshop for old computers, a painting department,
and a fictional signal-world in which all of those things can meet.

The imagined station is a low-power Wisconsin UHF outfit operating
after hours sometime between 1969 and 1975. It might be in a garage.
It might have one good camera, two unreliable machines, and a crew
that has decided the snow on the monitor is part of the program.

That atmosphere ties the project together more than any single
format does.


WHAT GOES OUT OVER THE AIR
--------------------------

The Nitetime broadcast can combine:

  * retro science fiction, B-movie imagery, and UFO mythology;

  * experimental electronic music, from terror dubstep,
    industrial trap, glitch-hop, and art-punk to mid-century
    space exotica;

  * public-access-style bumpers, channel identification, local
    station announcements, and deliberate signal interruptions;

  * Commodore 64 and Commodore 128 graphics, digital signs,
    screensavers, and demoscene-inspired visual systems;

  * Wisconsin landscape, folklore, garage technology, shortwave,
    and CB-radio language.

These are not separate brands lined up under a corporate umbrella.
They are departments inside the same basement station. A painting
can become an album cover. A Commodore display can become a station
break. A radio number can migrate into a song, a story, and a file
name before sunrise.


REAL PROJECT / FICTIONAL FREQUENCY
----------------------------------

Nitetime is a real independent production project. It also contains
a narrative universe: Lake Koshkonong transmissions, impossible
objects, besieged studios, damaged tapes, and operators who keep the
carrier alive.

The archive does not always put a bright fence between documentary
material and station lore. That ambiguity is intentional. When a
file needs factual precision, it should say what is documented and
what is part of the fiction. When a file is simply telling a good
late-night story, the red light over the studio door is warning
enough.


PLACES TO CONTINUE
------------------

  Broadcast tools and working method:
  /about/broadcast-workshop.txt

  Music released as nitetime.net[DJRC]:
  /music/djrc-discography.txt

  Physical paintings and public art:
  /art/ufo-paintings-in-the-field.txt

  Underground film exhibition:
  /raccoon-cinema/cinemica-resurrectio.txt

  Radio and shortwave files:
  /radio/

  Commodore laboratory:
  /commodore/


ARCHIVE NOTE
------------

This overview records the operator-supplied history of the project.
Named platforms and appearances may change; the enduring subject is
the work itself and the station it builds.