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       #Post#: 37--------------------------------------------------
       Is it possible to stop the growing gender gap in STEM studies
       By: chandna rani Date: September 9, 2023, 5:16 am
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       He finds himself trapped, suspended in a role, like a statue.
       The figure is the lover at work12. Vita nova would have been,
       finally, Barthes's novel activating many of the figures that
       seduced him throughout his life. If, in an effort of intermedial
       criticism, we were to click on some of them, a menu of
       unequivocally Barthesian themes would cascade before our eyes:
       how many of his articles and books would emerge from the figures
       of "idleness" and the "fickle searches" that appear in the
       drafts? From the 1950s, at least, the Mythologies(1957), that
       random journey of his curiosity in whic.
       Barthes dismantles the petty-bourgeois myths naturalized by the
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       ideology of the post-war mass media (from
       the aerospace modernity of the new Citroën to the cosmetic
       perfection of the figures of the star system in the photos of
       the Harcourt studio and the miraculous difference of the "writer
       [André Gide] on vacation", to catch as a contemporary substitute
       for Greek tragedy). And where, from sketch to sketch, Barthes
       insists on considering "literature as a substitute for love,"
       shouldn't we read a direct reference.
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       The Camera Lucida , a text in which the conclusion,
       discussed13Is it that photography is the only language that, as
       if caught up in an eternal copulation, cannot be separated from
       its referent (and we know that the permanent referent of the
       book is the figure of The Mother)? Since "The Death of the
       Author", a militant text imbued with the anti-authoritarianism
       of the French May, Barthes mutated towards less extreme
       positions in which he recognized the "author's desire" (Sade,
       Fourier, Loyola) and proposed that writing supposes a link
       libidinal, corporal, with the Reader ( The pleasure of the
       text14.
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