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#Post#: 1379--------------------------------------------------
Holy Vestments of the Stars
DIR By: Dungeon Master
Date: August 18, 2026, 1:42 pm
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[center]Holy Vestments of the Stars:
An Online Supplement for the Dragonlance Setting
By John Grubber
(John.Grubber@sympatico.ca) [/center]
Introduction:
Krynn has many gods, and these beings have taken an active
interest in the affairs of mortals since the dawn of creation.
The gods have shepherded or manipulated their creations, with
varying results, for almost ten thousand years. In that time,
elaborate priesthoods devoted to the twenty-one deities have
developed. These priesthoods possess a wide variety of beliefs,
codes, and practices, all of which players can use to enrich the
role-playing experience.
Material on the priesthoods does exist, but it needs expansion.
In this article, the reader will find discussions and
descriptions of many aspects of the Krynnish clergy and their
faiths. While much of the following information is new, some is
also drawn from the Tales of the Lance boxed set, the
Dragonlance Adventures hardcover book, and the many Dragonlance
novels and anthologies.
Use of this source information is optional. For the non-gamer,
it may be entertaining and make the world of the Dragonlance
Saga more vibrant, while the role-player may find the
descriptions useful in characterization or creating new
adventures.
The material included here is designed for use in campaigns set
during the Age of Might or the very late Age of Dreams. It is
during these times that the civilizations of Ansalon developed
and institutionalized organized worship of the Gods. After the
War of the Lance, when the worship of the True Gods returned,
the religions took somewhat different forms.
This material can be used as a guide to creating them, with the
rationale that within the libraries of Krynn there are
descriptions of the religions of Pre-Cataclysmic Krynn. The
churches of the Fourth Age will likely use these historical
materials in the development of the renewed churches. Certain
parts of the worship, specifically Holy Scripture, remain the
same, as they are the divinely revealed word of each god.
Chapter 1: Holy Vestments:
The clothing of the clergy, their vestments, are of extreme
importance. They, along with the Medallions of Faith, are visual
proclamations of faith and allegiance of the individual wearing
them. Besides being a profession of beliefs, they also serve as
a statement of power, for only ordained priests may wear them.
As there are many gods, so too are there many different types of
priestly garb. The type of material, its colors, styles, and
decorations all have importance, as they are visual links to
specific gods.
Colors are symbolic of the gods’ domains, the attitudes of their
priests, and the duties of the clergy. Gods who control the sea
or sky will likely have clergy that favors blue or white
clothing, while a god such as Sirrion, the patron of fire, has
disciples garbed in yellows and reds. A priest of Gilean, who is
charged with observing the events of the world but oathbound not
to influence them, wears gray, while priests of Hiddukel favor
golds and rich purples--the colors of decadence and greed. The
aforementioned priest of Gilean must be out in the world to
observe it, and thus they make their vestments from simple,
strong fabrics. The devout of Hiddukel, on the other hand, wear
as much finery as they can afford, so as to display the glory of
their god and their piety as a follower. Generally, if priests
must travel, they favor functional vestments, while
temple-dwelling clergy indulge in lavish costumes. In a large
city, such as Istar or Palanthas, one is likely to see clergy of
many gods, wearing their vestments as an advertisement as much
as a show of faith.
Vestments versus Vesture:
There are two main types of apparel that priests wear. The
first, vestments, are the focus of this article as they are the
most likely clothing that Player Characters and Non-Player
Characters will be encountered wearing. In a sense, they are
work clothes, apparel that the religious figure would wear while
out and about in public. The second type, vesture, is related to
specific ceremonies, offices, and rituals, where formal attire
is required. Vesture will only be dealt with in a brief, general
way. Based on the descriptions of formal clothing below and the
further detailed descriptions of each priesthood, ceremonial
garb can be created as needed.
Vesture is clothing that an ordained priest wears when receiving
visitors, performing sacred tasks, or celebrating a ritual. It
is elaborate in decoration, symbolic in its features, and
generally quite cumbersome. These factors, combined with its
tremendous expense, make it prohibitive for all but temple-bound
clergy. Characters will likely not possess this type of
clothing, as it is impractical outside of a temple or other
sacred site. As PC’s are most likely to be traveling, they will
most often be found in vestments, that is, clothing that retains
sanctity, but without compromising functionality. A warrior may
not find a priests robe and stole practical, but compared to
full religious regalia, it is a world apart in convenience.
Steeped in tradition, the vesture of a priest consists of many
possible layers of separate garments, each worn in specific
combinations with other pieces.
Glossary of Relevant Terms:
Though each priesthood refers to its vesture by different names,
all make use of ceremonial clothing. The apparel may be an
elaborate form of their vestments, or entirely new garb. The
terms given below are a general sample of the variety possible
in religious clothing.
Alb: This is the simplest of all holy garments. Designed to
fully cover the cassock, it extends to the floor, and its
tight-fitting sleeves extend to the wrist.
Cappa Magna: The great cape, as it is called, is usually worn as
a winter cloak due to its weight and heavy construction. It
closes in the front down to the waist, has a hood, and at times
has a long train for a mounted wearer.
Cassock: This is a simple cloak, closed at the waist by a sash.
Its body and bottom are generally tubular, but at times the
lower hem flares outwards. The sleeves are form-fitting, but
include a wide cuff that extends to mid-forearm. The cassock
buttons at the chest, in the center or laterally on the left
side of the chest, and has a short upright stiff collar.
Chasuble: This poncho-like cloak was adopted from the secular
citizens, as was the surplice. The length of the rectangular
cloak varies, but a common feature is that it does not have
sleeves. Its origins, though secular, lie specifically in the
farming classes of Northern Ansalon, who wore an oiled version
of the poncho over their clothes during the rainy season,
allowing them to work in the fields.
There are two main types of chasubles: the planeta, an
elaborate, ornate garment worn by the highest members of the
church, and the casula, a simple version worn by traveling
missionaries and lower-ranking priests. The presence of a hood
on the chasuble is optional, depending on the priesthood. Those
who possess them are also known as amphibalus.
Douillette: This long, loose-fitting coat is worn over the simar
or cassock. It is also known as the ecclesiastical overcoat, and
has long, snug-fitting sleeves and a broad, open collar, to
allow the other collars to protrude through. The douillette
closes from neck to hem by buttons or hook-and-eye clasps.
Gloves and Gauntlets: Long worn by various priesthoods, these
items allow priests to touch sacred objects and perform rites
that the unclothed hands are not permitted to do.
Fascia: This is simply another name for the sash that binds a
piece of clothing at the waist. It varies in width, from four to
eight inches. It is not a belt, nor should it be treated as such
by the wearer. The side the trailing ends of the fascia, or
cincture, drapes on varies among the priesthoods that use it,
but has spiritual significance among the priesthoods.
Ferraiolo: Also known as the priest’s cape, this garment is
hoodless and has a broad flat collar extending out to the
shoulders. The cape itself is made to cover the entire body from
neck to heel, and can be worn closed (though it does not clasp)
or thrown back over the shoulders. It is one of the final layers
of the holy vesture worn in ceremony.
Mantelletta: Sometimes called the short mantle, this garment
reaches just below the wearer's knees, usually to shin length.
It is similar to the cassock, except that it clasps only at the
neck and is sleeveless, instead possessing large slits for the
arms to pass through.
Mantellone: This is essentially a high-collared sleeveless vest,
designed to be worn over the cassock and faschia. The vest hangs
to the floor, typically, but shorter lengths are possible.
Mozzetta: This short cape is similar in shape and length to the
cape on the simar, except that it closes in the front, whereas
the simar cape does not. It also has a stiff upright collar that
may be closed or open, as with the rabat.
Rabat: This is worn by several different priesthoods, from all
three of the pantheons, although some only wear it as part of
their vesture. It is a rectangular cloth that drapes over the
shoulders and has a stiffened collar, of varying heights, that
rises to encircle the neck of the wearer. Depending on the
priesthood, it may be closed in the front or open, and this
opening may be squared, rounded, or V-shaped.
Simar: This is very similar to the cassock, except that it has a
cape which drapes down the wearer's back, covering their
shoulders and extending to mid-back. The cape hangs to the
wearer's elbow and does not fasten in the front.
Stole: Also called an orarium, the origins of this ceremonial
scarf are both secular, in the sense that it provided warmth,
and sacred, in that it is an essential part of the burial
shrouds of many cultures. The stole is worn over both shoulders,
or if the wearer is unordained, from one shoulder to the
opposite hip, where its open end is fastened together. The
decorations and color of the stole, as well as specific details
of its shape, vary by season, ceremony, and priesthood.
Surplice: This is a cloak worn over the rest of the vesture, and
had its origins in the secular greatcloak. Its length varies by
climate, being longer and heavier in colder climates. The neck
may be rounded or squared, while the full sleeves may hang to
ground level. This is a highly ceremonial garment, requiring
attendants to mind that the sleeves do not catch fire or
otherwise become obtrusive.
Zuchetto: This is more commonly called the calotte or skullcap,
and is somewhat rare among Krynnish priesthoods, being worn only
by disciples of Zeboim, Chemosh, and on occasion, the followers
of Habbakuk.
Fabrication Materials
The materials of which clerical clothing is made depend largely
on the priesthood, the god worshipped, and the culture the
religion is based in. In large urban centres, velvet, silk,
satin, damask and merlino (broadcloth) are available, while in
smaller places, wool, linen, or leather may be the only
materials available. The nature of the priesthood itself will
affect the choice of material. For example, certain gods, such
as Majere or Kiri-Jolith, forbid the use of extravagant
materials by their clergy, while others, such as the followers
of Hiddukel, are encouraged to use them. Symbolically, the cloth
type reflects the philosophy of the priesthood, and is intended
to have an effect upon any worshipper viewing the priest, such
as awe, fear, reverence or peace.
Ornamentation is equally diverse in detail and material of
construction. Precious metals, stones, shell, bone or horn are
all used for buttons, clasps and closures, while metal threads
of silver and gold are often used for embroidery. Details about
medallions of faith and their material construction are
discussed in a later chapter.
#Post#: 1380--------------------------------------------------
The Holy Vestments of the Stars
DIR By: Dungeon Master
Date: August 18, 2026, 1:44 pm
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[center]The Holy Vestments of the Stars[/center]
Part One: The Gods of Darkness
Black is the most common color of the priests of darkness. In
all, four of the seven priesthoods robe themselves in it. The
Cult of Morgion chooses brown robes with a black stole, while
the faithful of Hiddukel and Zeboim stand out from the rest even
more. Their clothing is colorful and opulent, making them easy
to spot, and in some cases, avoid. Black is an appropriate color
for many groups, as it is the color of secrets, lies, and the
night.
Takhisis
Priests and priestesses of the Queen of Darkness wear a
beltless, hooded robe of black cloth. It has voluminous sleeves
with large open cuffs. The hem, hood edge, and cuffs all consist
of black silk.
Sargonnas
The clergy of the god of Vengeance favors a more utilitarian
style of clothing, though it is not without extravagance. The
uniform consists of a black silk tunic, with the sleeves ending
at mid-forearm and leggings ending at mid-calf. Blood-red silk
is wrapped tightly around the lower leg and forearm, and a red
silk sash winds snugly around the waist. This garb fits well
under most armor or overclothing, and it provides a high degree
of mobility. The use of silk wraps was adopted from the nomads
of the Northern Deserts, as it is an excellent defense against
arrows and edged weapons.
Chemosh
There is no true priesthood of Chemosh--the populations of even
the vilest lands would simply not allow it. What does exist,
though, is an unfortunately widespread mystery cult dedicated to
him. Its members wear hooded black calf-length robes edged in
brown, and goat skull masks. The material the mask is made from
varies with the power and rank of the individual. Initiates wear
a stylized white leather cowl, gaining the skull once they have
completed a sacrifice to Chemosh. As one advances in rank within
the group, painted or engraved markings are added to the mask,
as well as small ornamental objects. At the highest levels, the
skull mask is plated in silver, with the high priest of a given
area plating the mask in gold.
Morgion
As with Chemosh, only a cult is dedicated to Morgion. Its
members wear a floor-length brown robe with a black cuff and hem
stripe. Over this is a black cloth stole, which matches the
black cloth wrappings on their wrists. The hood is deep, hiding
the face of the wearer in darkness and keeping their identity a
secret. This secrecy is especially important in the Cult of
Morgion, so no member may betray the identity of others.
Zeboim
Few priests of Zeboim exist, though these few are found in
coastal communities. While many towns and cities hold no great
love for her, they pay homage out of respect and fear. Her
priests wear a long, hooded robe of deep green--the color of the
sea. Over this is a deep red stole, which almost reaches the
ground with its length. The loose, belted outer robe covers an
under-robe of red that matches the stole.
Hiddukel
The clergy of the Lord of Lies and False Bargains are known for
their finery. Made of the finest materials available, these deep
purple, low-collared robes are covered by a calf-length
embroidered black vest. The stitching is elaborate and done with
gold or silver thread, and the satin purple robe is often
decorated with gems or ornamental stones. A picture of
decadence, these richly clad priests favor all things opulent
and extravagant in their lives. Other than the basic color
scheme and clothing style, there are no other requirements for
the vestments of Hiddukel’s priests. In a given temple or area,
however, the more richly attired one is, the more powerful one
is likely to be, as displays of wealth by the weak often result
in that wealth being removed from them.
Part Two: The Gods of Light
From Mishakal’s pale blue to the rich copper of Majere’s monks,
to Branchala’s green and gold, the color palette for vestments
of the Gods of Light is very diverse. White, however, dominates
this group, as a symbol of purity and light. In some cases, such
as Habbakuk's priesthood, white is used, but so is deep blue, a
symbol indicating the specific realm of that god: the sea. As
with the Gods of Darkness, certain clergy groups involved
themselves with people more often, and being noticed is part of
their priestly duties. Thus, the followers of Branchala, as
performers, wear clothing that will draw attention to them.
Paladine
The priests of Paladine clad themselves in hooded white robes,
similar to those worn by the priests of Takhisis. The material
usually consists of silk, but the priests also use other coarser
materials. Ornamentation and finery do not mar the simplicity of
the robes. In fact, the priests use the plainness of the garb in
an attempt to be anonymous so that only their deeds are
remembered in the name of their God.
Mishakal
Those who serve Paladine’s consort wear hoodless robes of sky
blue. Where the priests of Paladine seek anonymity, the servants
of Mishakal strive to put a mortal face on the warmth and
kindness of their God and her gifts.
Habbakuk
The clergy of the Fisher King wear hoodless robes of white and a
hooded stole of deep blue. The white robes resemble those worn
by the priests of Mishakal, while the stole is that of
Paladine’s priests. This is in recognition of Habbakuk's divine
parentage and how he represents aspects of both made manifest in
the world. The deep blue color of the stole also represents a
calm and tranquil sea, contrasted to those who worship Zeboim,
who robe themselves in the dark green of storm-tossed waters.
Branchala
Those who worship the Singer of Life wear vestments very
different from the other Gods of Light. They wear a sleeveless
tunic and leggings of green silk, with golden yellow sashes
crossing their chest and back and tying around their waist.
Yellow boots and wrist wraps complete the outfit. While a
seemingly outlandish garb for a holy person, it must be
remembered that to honor their patron, the priests travel and
perform for people. Thus, an outfit that catches the eye and
allows for freedom of movement in traveling is ideal. In colder
climates, the tunic is sleeved or supplemented with a green
hoodless cloak or cape.
Majere
Humble in their devotions, the followers of the patron of
meditation and dreams favor a simple, functional robe. In
ancient times, they wore a red, hoodless robe, but with the
growth of the priesthood devoted to Lunitari in the last century
before the first Cataclysm, Majere’s devout chose new garb. Most
of these monks have since worn a collarless red tunic and
leggings, covered by a red-brown sleeveless coat that falls to
the knees in length. The hems and cuffs consist of black satin,
while the wrist wraps are the same red-brown as the coat. The
simplicity of the outfit is a reflection of the humility
demanded by their God, as well as the fact that priests of
Majere must partake of physical labor to sustain themselves and
their secluded monasteries.
Kiri-Jolith
As such, the followers of Kiri-Jolith are travelers, and their
simple vestments reflect this. They wear a hooded robe of heavy
brown cloth, which is knee-length and has sleeves extending to
mid-forearm. Under this is a pair of tan-colored leggings and a
matching tunic. A belt of the same cloth as the outer robe keeps
the tunic closed.
Part Three: The Gods of Twilight
The priests of the gray are the most diverse in their vestments.
Reds, yellows, grays, and greens all appear among the
priesthoods, showcasing the variety of spheres of influence
present in this group of the pantheon. The variety of vestments
also reflects the variety of personalities present among these
disciples, though generally they all follow the same pact of
non-interference. These are the gods who are present in the
daily aspects of most people’s lives, and as such their uniforms
reflect a sense of utilitarianism.
Gilean
Of all priesthoods, those of the Order of the Book are the
humblest. Charged by Gilean with recording events as they see
them, these men and women of all races wear a simple hoodless
robe of coarse gray fabric. Belted at the waist with a cord, the
scribes of the book are permitted to wear almost anything
underneath, provided the gray robe covers it. This is symbolic
of their vow of non-interference, that regardless of personal
allegiances or opinions, they must set all aside when they take
the Oath of the Tobril.
Zivilyn
Those who worship the Tree of Life favor a moss-colored hoodless
robe with gold trim. Over this, they wear a stole of golden
yellow, rounded on their back, descending to mid-thigh. This
stole is trimmed in the same green as the floor-length robe
itself.
Chislev
The priests of the Beast Goddess are a secretive group,
sometimes even more so than the followers of the Gods of
Darkness. Wearing hooded, floor-length brown robes edged in
yellow and green, these hermitic druids are rarely seen outside
of their sacred groves or city-bound temples, and as such are
not readily recognized by the populace.
Reorx
The Hammer-Wielder’s priests are few in number among
non-dwarves, but they are a powerful group. They wear a red,
knee-length tabard, its sleeves and front made of coarse gray
leather. The hems and seams are intricately tooled, but are
still very functional, as the disciples must honor their patron
by working at a forge. The leather, of course, protects them
from the intense heat, and it is a badge of honor among the
faithful to have a scorched apron. Only the lowest-ranking
initiates and apprentices have no burns on their vestments,
which changes as they become more proficient as craftsmen. Under
the tabard, they typically wear iron-red or gray tunics and
leggings. Oftentimes, though, the tunic is discarded due to the
intense heat of the forges. Artisans who work with materials
other than metal will frequently be found wearing them, though.
Shinare
The goddess of commerce and industry has extremely simple
vestments for her priesthood. This is a reflection of the duties
the faithful must perform. Above all else, Shinare is a goddess
of doing; as such, her followers must wear clothing that allows
them freedom of movement to perform their day-to-day profession.
Thus, the disciples of Shinare wear a simple brown smock, belted
at the waist, and hemmed in gold and silver. Under this
thigh-length clothing, worshippers typically wear the uniform of
their profession, be it blacksmith or baker.
Sirrion
As the scribes of Gilean are the most humble and unassuming of
holy men, the priests of the fire god are the most flamboyant.
Wearing golden-yellow leggings and a tunic with the calves and
wrists bound in red silk, these beings stand out in a crowd. The
yellow tunic has voluminous sleeves and large cuffs, trimmed in
red to match the sleeveless thigh-length vest of the priesthood.
A red flame motif decorates the edges of the clothing. Beautiful
in its design and stitching, the satin cloth ripples like
flickering fire as the wearer moves.
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