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       #Post#: 6500--------------------------------------------------
       microphone evaluation 
       By: The Dudely Lama Date: February 6, 2021, 9:14 am
       ---------------------------------------------------------
       having lost substantial high frequency hearing ability, and
       entertaining constant tinnitus, how would one go about
       accurately determining self noise, or mic hiss, in the signal?
       i know...  numbers in the specs...  but i also know thats not
       often accurate, real world application.  in the past couple days
       ive run through multiple combinations of mics, pre’s and
       recording devices and ive put all my mics back in the locker
       except for the SP in-ear mics...   and they just introduced an
       improved version with notably improved specs in both signal to
       noise and self noise, but with a slightly different earpiece..
       as im awaiting delivery, the question begs, how to compare the
       two without be able to personally discern the difference in self
       noise?
       #Post#: 6501--------------------------------------------------
       Re: microphone evaluation 
       By: AJ Date: February 6, 2021, 10:36 pm
       ---------------------------------------------------------
       [quote author=The Dudely Lama link=topic=736.msg6500#msg6500
       date=1612624458]
       having lost substantial high frequency hearing ability, and
       entertaining constant tinnitus, how would one go about
       accurately determining self noise, or mic hiss, in the signal?
       i know...  numbers in the specs...  but i also know thats not
       often accurate, real world application.  in the past couple days
       ive run through multiple combinations of mics, pre’s and
       recording devices and ive put all my mics back in the locker
       except for the SP in-ear mics...   and they just introduced an
       improved version with notably improved specs in both signal to
       noise and self noise, but with a slightly different earpiece..
       as im awaiting delivery, the question begs, how to compare the
       two without be able to personally discern the difference in self
       noise?
       [/quote]
       Found this app...Assume you have an smart phone.
  HTML https://onyx3.com/SpectrumAnalyzer/#:~:text=Spectrum%20Analyzer%20for%20iOS%20is,precision%20audio%20measurement%20and%20visualization.
       Or this one for your
       PC.......
  HTML https://www.mymusictools.com/test_tools_27/spectrum_analyzer_pro_live_13243.htm
       But these tools might prove a bit tedious, given what I perceive
       is your methodology towards making music. It would be a bit
       mechanical approach to tweaking the parameters I think you are
       addressing. How do your recordings measure up to what you hear
       when you are in the creative process?
       The music you are making now is stream of creativity product,
       or that is what I hear when I listen to your pieces on Facebook.
       Sometimes I listen to yourstuff on my phone, through my work
       trucks stereo, in between service calls. Sometimes through my
       computer speakers, sometimes through the interface, into my
       board, and into self powered 8" JBL's( which are crackin' fresh
       baby). I also use headphones on occasion, here at the house,
       through the interface. It sounds different in each of these
       delivery systems. In the truck of course, it's competing with
       road noise, vehicle noise, etc. Here at the house, through the
       different speakers, much different. Through the computer
       speakers, markedly different than through the JBL monitors.
       Through the JBL's, the low frequencies magically appear, where
       as through the other platforms they aren't even present. And
       that's at unity gain, eq bypassed, pure signal. It's a different
       experience. Headies are a different thing altogether. With
       everything else blocked out it's more immersive.
       Indigo Dave sends me pieces of songs he's working on from time
       to time, and he comes as close as anyone to recording the way
       you do. Organically. He sings and plays piano, all in real time,
       no effects, just pure Dave like what you do, is pure Jamie. You
       both approach music honestly, and honesty comes with certain
       tolls involved.
       "Self Noise"? perhaps you're thinking a bit too hard about it
       these things. Perhaps listening a bit too critically to your own
       art. Granted, your stuff exists on a different plane to an great
       extent, and probably defies conventional approaches to
       criticisms audibly, and artistically.
       I originally put this reply in early this morning, but forgot to
       hit send....
       #Post#: 6504--------------------------------------------------
       Re: microphone evaluation 
       By: The Dudely Lama Date: February 7, 2021, 5:48 am
       ---------------------------------------------------------
       im concerned that in my attempts to capture the subtle, silent
       magic that is only heard from being in the center area of the
       collision of the near field vibrational energy of these
       instruments, that i introduce interference from frequencies i
       cant hear anymore...   i cant hear mic hiss unless its
       horrible...  there are physical sensations that accompany
       certain frequencies...  sub lows bring a sort of heavy,
       compressing vibration where ultra high frequencies bring
       weightlessness and feelings of flight and air...  but in the
       collisions, there is silence that is so stark and pure in
       comparison...  it brings the air around us and the water within
       us to vibrate and shake...   headphones and good monitors turned
       up properly will closely replicate the sensations produced live,
       but live?  it shakes your bones!  different frequencies move
       through and literally massage every cell in your body, exciting
       tissue according to density and natural harmonic resonance...
       asmr recording is a brain hack that tricks your body into
       “feeling” the vibrations youre hearing. i am uncertain that what
       i experience might possibly be in part due to physical memory...
       my toes vibrate at certain sub freqs as i feel the “sound”
       pushing me, compacting my cells...  compared to the effervescent
       explosion of freedom...  opening, expansive outward flight of
       ultra highs...  physical sensations and actual physical response
       produced by aural(sonic) stimuli.   i see from first hand and
       others that there are definite, measurable physical and mental
       responses to this phenomenon. mentally and physically, the
       relaxation response alone is of major therapeutic value in all
       walks of life and development.  im not talking new age, woo woo
       pseudoscience...  just plain old everyday physics applied to
       human physiology and psychology.  mental and physical responses
       to vibrational stimuli...  all of this, rather... most of this
       takes place in the propagative medium of air...  which is much
       less efficient at transmission than is WATER...  large singing
       bowls in bodies of water, with human bodies (of water) in the
       water...  one can literally pinpoint the areas of collision of
       vibration... sound...  inside ones physical body...  motion and
       physical touch generated by “sonic energy and the bouncing and
       colliding thereof in the medium through which it travels...
       pre-covid, at any festival where a suitable body of water was
       available i would carry in several large bowls and float them
       around me...  and the crowds would gather...  ecstatic bathers,
       finding their experience beyond anything theyd ever imagined
       being possible...  pure magic...  pure science...  and lakes and
       rivers filled with trippin hippies not needing anything more
       than music to trigger the trip...  im doing this because once i
       experienced this incredible magic, i wanted everyone to know the
       possibilities... experience the joy of just being...  the
       connection, all of this you see...  we are nothing less...
       notes in a song, resounding through a propagating medium and
       colliding with other “bubbles” of sound and bubbles of
       silence...  finding our full resonance and yielding to the
       harmonic beauty that is only found in returning again to source.
       
       well, i was going to go back to sleep, it was around 4 am when i
       read your response...   looking at the amount of light outside,
       ive got enough time to shower, get dressed and light some
       incense before welcoming the sunrise at the gongs...
       be the peace in your journey today...
       #Post#: 6527--------------------------------------------------
       Re: microphone evaluation 
       By: The Dudely Lama Date: February 13, 2021, 6:38 am
       ---------------------------------------------------------
       i received the new mics thursday evening and ive got a little
       over 20 some hours use so far.  ive been very busy making
       tracks. most busy trying to learn the limits of this mic system
       and how i can best achieve the results im trying to reach...   i
       need to find some young ears that can assure me that the
       silence, the noise floor, is acceptable for my purposes and
       desires. got the zoom q8 dialed in for 96k 48 bit audio only,
       and started trying the panasonic x2000 last night.  the volume
       controls on the panasonic are like marshall plexi controls...
       anything below 1.5 is off and everything past is wide open!   so
       i had to do it correctly... yamaha 12 channel board between the
       mics and cam...  now im thinking if i set up my sub and a couple
       speakers...   not really much more involved...   i can start
       playing with stereo signals to see if i can produce a reasonable
       facsimile of the physiological response that happens in the
       close proximity of the real deal...  i think asmr has the
       hallmarks of becoming an important, highly effective tool in
       mental and physical wellness...  its a glimpse into perception
       at a level previously unimagined. at the very least, i can
       further annoy my new neighbors...
       if youre interested in lending an ear and offering comments,
       please give this a listen...
  HTML https://soundcloud.app.goo.gl/7EFpNmE4iw37FDjSA
       #Post#: 6528--------------------------------------------------
       Re: microphone evaluation 
       By: AJ Date: February 13, 2021, 10:58 pm
       ---------------------------------------------------------
       [quote author=The Dudely Lama link=topic=736.msg6527#msg6527
       date=1613219928]
       i received the new mics thursday evening and ive got a little
       over 20 some hours use so far.  ive been very busy making
       tracks. most busy trying to learn the limits of this mic system
       and how i can best achieve the results im trying to reach...   i
       need to find some young ears that can assure me that the
       silence, the noise floor, is acceptable for my purposes and
       desires. got the zoom q8 dialed in for 96k 48 bit audio only,
       and started trying the panasonic x2000 last night.  the volume
       controls on the panasonic are like marshall plexi controls...
       anything below 1.5 is off and everything past is wide open!   so
       i had to do it correctly... yamaha 12 channel board between the
       mics and cam...  now im thinking if i set up my sub and a couple
       speakers...   not really much more involved...   i can start
       playing with stereo signals to see if i can produce a reasonable
       facsimile of the physiological response that happens in the
       close proximity of the real deal...  i think asmr has the
       hallmarks of becoming an important, highly effective tool in
       mental and physical wellness...  its a glimpse into perception
       at a level previously unimagined. at the very least, i can
       further annoy my new neighbors...
       if youre interested in lending an ear and offering comments,
       please give this a listen...
  HTML https://soundcloud.app.goo.gl/7EFpNmE4iw37FDjSA
       [/quote]
       It's a first rate recording Jamie. I listened through
       headphones. Pretty immersive, and a lot of the swells had a
       almost feedback like quality to them. Dug that a lot. I was
       trying to listen subjectively to it, as that was what I
       perceived you wanted from a listen. First rate recording, and I
       think a definite improvement over previous offerings from you,
       on a sonic level.
       
       #Post#: 6530--------------------------------------------------
       Re: microphone evaluation 
       By: The Dudely Lama Date: February 14, 2021, 6:37 am
       ---------------------------------------------------------
       thank you for the ears! yes, my high frequency hearing is pretty
       damaged, especially my right ear...   with gongs, i can
       physically identify pitch by vibration of the tool in my hand
       long before i can hear it...  its how i choose the sounds or
       vibrations im layering...   ive found i can do “key” changes on
       the same gong and most interestingly to me, it can be played
       melodically...   yeah...  think on that a second...  a bridle on
       an “uncontrollable” wild horse...   you have control but it
       still has a mind of its own...  ive been told none of what im
       doing is possible...  i set up a yamaha 12 ch mixer yesterday
       and dialing in the mics with the panasonic hc-x2000 video
       recorder, im wondering if i can get enough separation for stereo
       imaging “live” with my pa...  i know its not something that’s
       done for several reasons...  but this is a diff game than voice
       and guitar reproduction...   ive got to try...
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