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       #Post#: 72--------------------------------------------------
       Transparency and humility, values ​​of the digital w
       orld
       By: kkshaha cnd Date: September 12, 2023, 5:26 am
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       This force is also a fight against those that Rabelais called
       the "agelasts", those who do not laugh, who lack a sense of
       humor. In his article "Irony", Kundera quotes Conrad: "Remember,
       Razumov, that women, children and revolutionaries detest irony,
       which is the denial of all generous instincts, of all faith, of
       all self-denial, of all action! Here we are more than ever, no
       matter how you look at it. (But let's except women and
       children). Agelasts and revolutionaries, Kundera mentions them
       in his own way in The Joke , his first translated novel.
       They read the postcard sent by Ludvik to the woman Phone Number
       List
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       loves. They read it because she gave
       it to them. We know what happens next, in that Czechoslovakia of
       the 1950s. The hero is outlawed, punished. Finally, poetry. The
       term implies developments, explanations. Kundera broke many
       spears, aroused many controversies around the word lyricism.
       Let's just say that he didn't like empty words too much, that he
       didn't feel any connection or interest in French romantic
       poetry. To which the response could be that a Ponge, a Michaux
       or a Tardieu are far from those excesses of the heart.
       [img]
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       But let's put away our spears and return to his precise words
       in 1984 in La Quinzaine Littéraire : «I think that a novelist is
       always born on the demolished house of his lyricism. So, I
       demolished my lyricism! He was just over 25 years old. That
       period is half of my life, the caesura of it. For me, everything
       that happened before is prehistory, which is only interesting
       for the knowledge I can have of myself. Of this distrust of
       poetry, of its excesses, the best example is Life is Elsewhere .
       Jaromil is educated as a future Rimbaud; He becomes an informer,
       putting himself at the service of the regime and betraying
       everything that poetry can have that is subversive.
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