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AES: Recording Technology and Practices
By: eyeconic Date: April 5, 2018, 9:42 am
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Recording Discussion Forum
Join the discussion!
Sources of Information and Events
Tutorials and Features
tutorials
1) Microphone History
Microphone selection and collection is easier, more fun, and
more effective when informed by a deep understanding of their
history.
by Jörg Wuttke, Ulrich Apel, Sean Davies, Stephan Peus
2) What's your EQ IQ?
Find out how to use EQ properly from the professor who wrote the
book.
by Alex Case
3) The Growing Importance of Mastering in the Home Studio Era
Learn about mastering for home studios.
by Andres Mayo
More Tutorials
AES Events
AES141 Immersive Audio
Immersive Audio Featured at AES 140th Convention, Paris
AES Workshops and Tutorials in the Immersive Audio Track will
highlight the current state of the art plus leading edge
research in surround sound and 3D recording and reproduction
practices.
AES E-Library
elib
MixViz: A Tool to Visualize Masking in Audio Mixes
A real-time audio production tool is developed to help users
visually detect and eliminate masking in audio mixes.
by Jon Ford, Mark Cartwright, Bryan Pardo
Stereo and Surround Panning in Practice
The apparent position of speech and music sound sources was
investigated using both a two channel loudspeaker array and a
three channel loudspeaker array.
by David Griesinger
More E-Library Content
Other good stuff
Zoe Thrall
Recording the Electric Guitar - The Science and the Myth
The typical starting approach at the guitar amp: Shure SM57
microphone, slightly off center of one of the cones of a driver,
up close and almost touching the grille cloth. Oh, and angle the
microphone a little. Ask veteran engineers why this microphone
placement strategy is so common and a range of justifications
follows, from seemingly scientific explanations, to vague
guesses, to an honest, “I have no idea. I’ve always done it that
way. Everyone does.”
Phil Ramone
Need we say more?
Irv Joel interviews Phil Ramone
Stokowski and the Evolution of Recording Techniques
Leopold Stokowski was active as a recording artist from 1917
until 1977—virtually the entire period of the recording of music
by analog technology.
by Francis Rumsey
Standards Documents
AES65-2012: Connector for surround microphones.
This standard specifies a connector type and contact assignment
for microphones having up to six balanced analog output
channels, as used in surround sound applications.
AES-11id-2006 (r2012): AES Information document for preservation
of audio recordings.
This information document provides guidelines for archivists
faced with storing a variety of audio, still image and moving
image media in a single storage environment.
More Standards
Technical Council
AES Technical Committee
Technical Committee on Recording Technology and Practices
The committee offers the expertise of its international members,
representing the professional studio community, to the research,
development, and manufacturing segments of the Society. It aims
to collaborate with other technical committees in establishing
equipment evaluation and testing procedures that reflect the
real-world conditions of professional use. It seeks to evaluate
and recommend procedures and practices relevant to production,
as well as to suggest new tools and areas of investigation
essential to the advancement of professional audio production.
The committee intends to become a forum that networks members of
other professional organizations.
Technical Document: Delivery of Recorded Music Projects
HTML https://www.youtube.com/watch?v=L9CsHnc2YWc
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