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       #Post#: 819--------------------------------------------------
       Had joined the armed forces during 
       By: Jabin Khatun Date: August 30, 2023, 1:43 am
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       Defy the censors In her book War Does Not Have a Woman's Face
       (1985), Nobel Prize winner Svetlana Alexievich wanted to portray
       "small great human beings" rather than war heroes. She then
       collected oral histories from Russian women who World War II.
       His work contains some of the most humane and simple, yet
       powerful, accounts of war anywhere; His mosaic of testimonials
       makes the reader feel surrounded by all these women who tell his
       stories, each one more moving and enlightening than the last.
       There is no sentimentality or splendor here. One woman recounts
       the occasion when, while working as a nurse, she bumped into a
       Russian and a German soldier lying next to each other: “They
       were no longer enemies, they were people, just two badly wounded
       men in the same room. A human relationship arose between them. I
       had the opportunity to observe on more than one occasion that
       this happened very quickly… ». In his text, Alexievich included
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       from the Soviet censors of his book: they
       told him that he should have focused on portraying victory,
       rather than "dirt." Anti-war art continues to be censored today.
       Russian authorities jailed artist Alexandra Skochilenko for
       replacing price tags in supermarkets with messages protesting
       against Russia's invasion of Ukraine.
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       height=423]
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       Skochilenko faces a decade in prison, accused of spreading false
       news. Make a Difference If artists go to jail and their work is
       censored, then art must threaten power, but how much of a
       difference can it make? When Susan Sontag directed a performance
       of Samuel Beckett's Waiting for Godot in Sarajevo, the
       beleaguered capital of Bosnia and Herzegovina, in 1993, it was
       as much an act of protest as it was an attempt to raise
       awareness. By staging "a play in which nothing happens, twice,"
       as a critic once described it, portraying an idle and absurd
       wait for death, he held up a mirror to the indifferent attitude
       of a call international community towards the misfortune of the
       inhabitants of the country.
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