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       #Post#: 68--------------------------------------------------
       The Witch: the first computer revives 20 years later
       By: kkshaha cnd Date: September 12, 2023, 5:26 am
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       Kundera was his screenwriting professor at the School of Film
       and Television (FAMU) in Prague. The advice he gave to his
       students is paradoxical: write stories that cannot be filmed.
       That will create wonderful and bizarre moments in The Loves of a
       Blonde or Intimate Illumination . However, it is necessary to
       place Kundera in the precise place and begin by attributing to
       him the identity that he always claimed: that of a novelist.
       This term appears insistently in most of his essays, and in the
       interviews he gave. The novelist is not "the prose writer" that
       Sartre refers to. The difference is important and he points it
       out in The Art of the Novel: «The writer has original ideas and
       an inimitable voice.
       He can use any form (including the novel) and everything Phone
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       writes, being marked by his thoughts,
       transmitted by his voice, is part of his work. Rousseau, Goethe,
       Chateaubriand, Gide, Camus, Malraux. And he added: «The novelist
       does not pay much attention to his ideas. He is a discoverer
       who, groping, strives to reveal an unknown aspect of existence.
       He is not fascinated by his voice, but by a form that he
       pursues, and only forms that respond to the demands of his dream
       form part of his work.
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       Fielding, Sterne, Flaubert, Proust, Faulkner, Céline. Kundera
       firmly stated: «The writer is inscribed in the spiritual map of
       his time, of his nation, in that of the history of ideas. The
       only context in which the value of a novel can be grasped is
       that of the novel's history. The novelist does not have to be
       accountable to anyone, except Cervantes. The same names that
       marked his youth are repeated: Rabelais, Cervantes, Diderot and
       Sterne.
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