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       #Post#: 16335--------------------------------------------------
       jOBS
       By: Mac Date: January 27, 2013, 2:11 pm
       ---------------------------------------------------------
       [glow=red,2,300]jOBS[/glow] (Ashton Kutcher as Steve Jobs) April
       19th, 2013
  HTML http://www.youtube.com/watch?v=3rOiXeKaUUM
  HTML http://www.youtube.com/watch?v=52DWSdshxO8
       [move]Possible Spoilers?[/move]
       Seth Kinkaid
       [quote]Gizmodo reader Seth Kinkaid was one of the first people
       to watch jOBS—the first Steve Jobs' biopic starring Ashton
       Kutcher—at Sundance 2013. These are his impressions.
       Today I saw jOBS at Sundance, the story of a young Steve Jobs,
       the now legendary co-founder and CEO of Apple Computer. And
       although I know it may be inaccurate and exaggerated, it was the
       experience I wanted.
       I wasn't sure exactly what I would get, but it turned out to be
       surprisingly nice. It was... satisfying. It also proved that I
       could enjoy Ashton Kutcher's acting as Silicon Valley's most
       prized CEO. Although his performance wasn't perfect, it felt
       right. The rest of the movie was just as good.
       The film was directed by Joshua Michael Stern (Swing Vote, 2008)
       and written by a very young screenwriter by the name of Matt
       Whiteley. I was very intrigued for a number of reasons… the
       first being that there already had been an indie film back in
       1999, Pirates of Silicon Valley, starring Noah Wyle (who
       uncannily looks just like Steve Jobs).
       The other reason being that pretty much everyone I knew
       understood who Steve Jobs was, what he had done in his life, and
       had heard about and/or was impacted by his death in late 2011.
       Not too long ago after Jobs' death, I had finished Walter
       Isaacsons' Steve Jobs—a remarkable detailed journey of his
       entire life, dictated by Jobs himself.
       I felt I had a pretty good grip on who exactly Steve Jobs was,
       what his personality was like, and what Apple was all about. As
       a child I had been fascinated with computers and jumped into
       that technological world. I worked mostly on PC's up until I was
       17. Heading into the world of graphic arts, I had bought my
       first Mac Pro in 2006 and never looked back. From a designers'
       standpoint, Apple blew me away, from their marketing to their
       polished machines.
       So with that type of influence over the years, and a large
       dosage of Steve Jobs from interviews, articles, and keynotes—I
       was, needless to say, very excited for this film. Would they
       accurately portray the startup of Apple? Could Ashton Kutcher
       get Jobs' candor down, how insensitive he could sometimes be,
       but also his brilliance? I awaited in earnest.
       It was now 8:30AM and our line was ushered in. My girlfriend was
       with me, and being 8th in line, we got to some pretty fantastic
       seats. The presenter for the film came out and introduced what
       we were about to embark on; they mentioned that the director
       would be present for a Q&A after the film. The lights were
       dimmed, and finally (after much anticipation), jOBS began.
       ***
       The credits played in Helvetica Neue Light typeface; splicing
       from top and bottom and coming together to spell the names of
       the actors. Soon after the title came on; a logo custom made for
       the film, I presume—in 1970's fashion.
       The opening scene was set in an Apple meeting, an older Steve
       Jobs walks leisurely to a podium. The camera follows from
       directly behind his head so you only see the peripheral. There
       is an applause, and obviously this is an important meeting. The
       crowd watches intently as Steve Jobs starts to talk. At this
       point we see his face, and I internally gasped as we get to see
       Ashton Kutcher donning a mid-40's look, beard, and a spitting
       image of the late Steve Jobs. He congratulates Apple on their
       recent success and then talks about creating something new… the
       iPod. The camera zooms into his eyes slowly as there is applause
       and cheer in the background. We are slowly swept into Jobs'
       college years; 1976.
       As I watched, I was acutely aware of Ashton Kutcher the actor.
       The beginning parts of this film were in 1976, and Kutcher is
       well-known for his part in That 70's Show. Yet as the film moved
       forward and we are introduced to other key parts of the cast,
       most notably Josh Gad playing Steve Wozniak, I began to see
       Steve Jobs and not Ashton Kutcher. I was immediately aware of
       the idiosyncrasies that I had seen the real Jobs have in
       keynotes and that they were suddenly being sucked into Kutchers'
       performance. Within minutes I had forgotten I was watching an
       actor. He even got Jobs' lanky, lurching walk down to a science.
       Kutcher nailed his character, and I realized this as he looked
       more and more like Jobs, and less like himself.
       jOBS had a cheery retro feel to it. It covered key scenes of
       Jobs being a college drop-out and of his time in India. I was
       nervous they might skip this, as India and its impact on Jobs
       was integral to how he saw life.
       The film also had a pretty decent soundtrack, often donning Jobs
       most worshipped musician; Bob Dylan. It flowed with energy and
       kept the film lively during transitional scenes. We also got to
       see a whole number of late 70's vehicles, for instance, the Ford
       Pinto—and later on, his beloved black Porsche.
       There were pleasant comedic scenes involving Wozniak and Jobs,
       during their younger years—just before Apple Computers would
       become realized. As soon as Jobs understood that Wozniak had a
       natural talent for creating incredible "personal" computers, the
       idea is planted, and Jobs takes the reigns; everything is set
       into motion.
       I don't think they left anyone out in jOBS, sans Bill Gates
       (there was a scene of an enraged Jobs screaming on the phone at
       Gates), but all the key players were there; Mike Markkula
       (Dermot Mulroney), Arthur Rock (J.K. Simmons), and of course,
       John Sculley (Matthew Modine). I was impressed. Whoever did the
       casting for this film deserves an award. All the actors looked
       like their parts, and I would later learn that the director had
       each one passionately go over their characters' history.
       ***
       The cinematography was crisp, clean and often had shoulder-level
       shots of Jobs traipsing through hallways and meetings. Late 70's
       and early 80's haircuts were all in place. Everything had a warm
       glow to it. Many close-ups were used and surprisingly for their
       budget, several helicopter shots of Jobs driving down the
       highway and even of the Apple campus.
       If you know the history of Steve Jobs, you already know how this
       story will be told. Jobs is a college drop-out; he starts Apple
       with a small band of friends in his parents garage (filmed at
       the original location!). He ends up having issues with his
       girlfriend at the time, and his soon-to-be-daughter, Lisa is
       mentioned (Lisa is briefly shown, played by Annika Bertea). Jobs
       rises and then is ousted by his board of directors, as the CEO
       Gil Amelio (played by Kevin Dunn) betrays him. NEXT Computers is
       created and suddenly Apple is wanting Jobs back in the game. I
       was glad Stern decided to keep some of NEXT in the film, because
       it was an integral part to Jobs life story.
       Being a designer I perked up during some of the scenes with the
       art department of Apple. There were several scenes with Jonathan
       Ive, played by a much thinner actor. They did a brief yet
       respectful task of showing some of Jobs beginning friendship
       with Ive and how he always wanted Ive to be brutally honest.
       Jobs trusted him with the progression of Apples products.
       But not all was cheery for the film. Many scenes featured an
       incredibly energetic Jobs; prideful and hurt—even to the point
       of outrage. Some scenes showed him crying and even screaming. If
       they hadn't of had this I would have been pretty disappointed.
       The real Steve Jobs had a reputation for being rash, emotional,
       and even childish. Kutcher handled the intensity so well, you
       could feel the stillness in the theater after he would yell at a
       subordinate.
       ***
       Near the end of jOBS, I could feel the film starting to come to
       a close. The budget was estimated to be $8,500,000 and I already
       felt it was a much better film that held its own, compared to
       1999's Pirates of Silicon Valley. It felt like a cohesive story
       about who Steve Jobs was as a human being. It told a story of a
       man who braved to be himself, not get pushed around and yet push
       others around to get exactly what he wanted. Kutchers'
       performance was uncanny and yet I felt, not all perfect. A
       crying scene had me seeing Kutcher acting rather than truly
       crying.
       We were told by the director that Kutcher didn't stop being Jobs
       on set—he was in character for the entire shooting of the film.
       However, Gad's performance as Wozniak was touching and softened
       the aggressive behavior by Jobs.
       Josh Gad deserves to be awarded for his part in playing Steve
       Wozniak. Michael Stern told us afterward that he believed the
       story was about Jobs, yet Wozniak was the heart of the film. The
       cast was a mix of well-known and not well-known actors and
       actresses. The cinematography was great, with only a few slow
       motion scenes that I didn't feel were needed. The typefaces used
       for the credits were simple and to the point. The score was well
       created and not overly distracting. By the wrap-up, I not only
       felt satisfied, but apparently the audience did as well;
       clapping up a storm and eager to ask questions.
       I highly recommend you see jOBS if you are wanting a well-made
       independent film about a man that changed the world and
       influenced generations to come. I left the film with a satisfied
       audience and felt proud of the experience we had. Overall, I
       give the film a 4 out of 5 stars. Go see this film!
       [/quote]
       #Post#: 16342--------------------------------------------------
       Re: jOBS
       By: Chiprocks1 Date: January 27, 2013, 2:26 pm
       ---------------------------------------------------------
       I knew I forgot to post something yesterday. I saw an interview
       with Woz who had just seen the aforementioned clip and I
       couldn't help but groan at how bad that scene was. He went off
       on the stupidity of the scene too. Horrible. Ashton is just
       WRONG for this part!
       #Post#: 20246--------------------------------------------------
       Re: jOBS
       By: Mac Date: June 23, 2013, 11:03 am
       ---------------------------------------------------------
       This looks very interesting....
       [quote]After premiering to mixed reviews back at Sundance in
       January and having its initial April release date delayed, Steve
       Jobs biopic "Jobs" has finally premiered a trailer online ahead
       of its theatrical release near the end of the summer. "Jobs" is
       not to be confused with the Aaron Sorkin-scripted movie that
       will examine the Apple founder on three crucial days; that
       project is still in development. Judging by its trailer, "Jobs"
       takes a more traditional biopic route, following Jobs as he
       drops out of college and bands together with fellow tech-geek
       buddies to create a new software company known as Apple.
       Known mostly for comedy, notably on the television shows "That
       70's Show" and "Two and a Half Men," Kutcher's take on the
       technology titan seems to be a surprising and ambitious
       departure for the actor. While his time on "That 70's Show"
       might have prepared him for the floppy-haired '70s era of Jobs'
       life, it will be interesting to see how he captures the more
       serious and complex facets of the Apple founder's personality,
       whose unwavering nature has made him as revered of a figure as
       he is controversial.
       Josh Gad and J.K. Simmons co-star in the film, which opens
       August 16.[/quote]
       [glow=red,2,300]Jobs TRAILER 1 (2013)[/glow]
  HTML http://www.youtube.com/watch?v=yMSsf9szC2o
       #Post#: 20662--------------------------------------------------
       Re: jOBS
       By: Mac Date: July 7, 2013, 1:02 pm
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       [glow=red,2,300]Check Out the New Psychedelic Poster for 'Jobs,'
       the Steve Jobs Biopic Starring Ashton Kutcher[/glow]
       The new poster of Joshua Michael Stern's Steve Jobs' biopic,
       "Jobs," starring Ashton Kutcher as the pugnacious but beloved
       entrepreneur, has been released.  And it's totally psychedelic.
       The film, which was the closing night selection for this year's
       Sundance Film Festival, also released a new official synopsis:
       It only takes one person to start a revolution.
       
       The extraordinary story of Steve Jobs, the original
       innovator and ground-breaking entrepreneur who let nothing stand
       in the way of greatness.  The film tells the epic and turbulent
       story of Jobs as he blazed a trail that changed technology --
       and the world – forever.
       The film will be in theaters August 16, 2013.
  HTML http://d1oi7t5trwfj5d.cloudfront.net/19/21/2b87598c4b19b08164b496f7dc6d/jobs-poster.jpg
       #Post#: 21866--------------------------------------------------
       Re: jOBS
       By: Chiprocks1 Date: August 10, 2013, 1:18 pm
       ---------------------------------------------------------
       [center]JOBS Featurette: The Legacy of Steve Jobs & Apple
  HTML http://www.youtube.com/watch?v=-QgxOJlYGq8
       The more I see about the movie, the more I want to see it, which
       isn't something I was all too willing to do early into
       production of the movie.
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