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       #Post#: 56--------------------------------------------------
       Second Sight: reading braille without using your fingers
       By: kkshaha cnd Date: September 12, 2023, 5:39 am
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       But in reality they appear recorded as figures, in the sense
       that Barthes had given to that term in Fragments of a Amorous
       Discourse , published two years earlier. In that kind of
       "dictionary" marked by love passion and, above all, by
       unrequited love passion, The word [figure] should not be
       understood in its rhetorical sense but rather in the gymnastic
       and choreographic sense. (…). It is not the "scheme"; It is, in
       a more vivid way, the gesture of the body captured in action and
       not contemplated at rest: the body of athletes, orators,
       statues: what is possible to immobilize the deployed body. This
       is what happens with the lover who is trapped by his figures.
       He strives at a somewhat Phone Number List
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       sport; he exercises, like the athlete;
       modulates, like the speaker. He finds himself trapped, suspended
       in a role, like a statue. The figure is the lover at work12.
       Vita nova would have been, finally, Barthes's novel activating
       many of the figures that seduced him throughout his life.
       [img]
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       If, in an effort of intermedial criticism, we were to click on
       some of them, a menu of unequivocally Barthesian themes would
       cascade before our eyes: how many of his articles and books
       would emerge from the figures of "idleness" and the “fickle
       searches” that appear in the drafts? From the 1950s, at least,
       the mythologies(1957), that random journey of his curiosity in
       which Barthes dismantles the petty-bourgeois myths naturalized
       by the aristocratic ideology of the post-war mass media (from
       the aerospace modernity of the new Citroën to the cosmetic
       perfection of the figures of the star system in the photos of
       the Harcourt studio and the miraculous difference of the "writer
       [André Gide] on vacation", to catch as a contemporary substitute
       for Greek tragedy.
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