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       #Post#: 54--------------------------------------------------
       Slave Attire
   DIR By: Jinxed
       Date: December 23, 2021, 8:37 pm
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       Tunic
       “The most common Gorean garment for a slave is a brief slave
       tunic. This tunic is invariably sleeveless, and usually, has a
       deep, plunging neckline. It may be of a great variety of
       materials, from rich satins and silks to thin, form-revealing,
       clinging rep- cloth.”
       (Guardsman of GOR, page 107)
       "Rim's slave, clad in the brief slave tunic of white wool, her
       hair bound back with the woolen fillet."
       (Hunters of GOR, page 62)
       "It was a sleeveless, pullover tunic of brown rep cloth. It was
       generously notched on both sides at the hem, which guarantees an
       additional baring of its occupant's flanks."
       (Magicians of GOR, page 21)
       Work Tunic
       “About her forehead, tying back her dark hair, was a strip of
       rep cloth, brown, of the same material as the work tunic. I knew
       this meant she had authority among the girls.”
       (Captive of GOR, page 285)
       “I wore a brief, one-piece, brown work tunic. It was all I wore,
       with the exception of the collar. We wore such tunics when
       engaged as work slaves. The tunics of work slaves are usually
       brown or gray.”
       (Slave Girl of GOR, page 265)
       Thrall Tunic
       "Men in the fields wore short tunics of white wool; some carried
       hoes; their hair was close cropped; about their throats had been
       hammered bands of black iron, with a welded ring attached."
       (Marauders of GOR, page 82)
       Camisk
       “The common camisk is a simple rectangle of cloth, containing,
       in its center, a circular opening. The garment is drawn on by
       the girl over her head and down upon her shoulders; it is worn,
       thus, like a poncho; it is commonly belted with biding fiber or
       a bit of light chain, something with which the girl may be
       secured, if the master wishes.
       (Guardsman of GOR, page 107)
       "The common camisk is a single piece of cloth, about eighteen
       inches wide, thrown over the girl's head and worn like a poncho.
       It usually falls a bit above the knees in the front and back and
       is belted with cord or chain."
       (Nomads of GOR, page 90)
       "The camisk is a rectangle of cloth, with a hole cut for the
       head, rather like a poncho. The edges are commonly folded and
       stitched to prevent raveling. The camisk, I am told, normally
       falls to the knees, but Targo made us cut ours considerably
       shorter. The camisk, I am told, was at one time commonly belted
       with a chain. However, the camisks that I have personally seen,
       and those we were given, were belted with a long, thin strap of
       leather binding fiber. This passes once around the body, and
       then again, and then is tied, snugly, over the right hip. When
       Targo inspected me, he made me tighten the belt, to accentuate
       my figure. The belt of binding fiber not only makes it easier to
       adjust the camisk to a given girl, but, of course, the binding
       fiber serves to remind her that she is in bondage. In a moment
       it may be removed, and she may be secured with it, leashed, or
       bound hand and foot. The camisk, in its way, is an incredibly
       attractive garment. It displays the girl, but provocatively.
       Moreover, it proclaims her slave, and begs to be torn away by
       the hand of the master. Men thrill to see a girl in a camisk.
       Secondly, I think Targo gave us camisks to make us even more his
       slaves. We desperately wanted to have something to cover
       ourselves, be it only a camisk. That he might take it away if
       irritated, or dissatisfied with us, made us that the more eager
       to please him."
       (Slave Girl of GOR, pages 64-65)
       Camisk, Turian
       "The Turian camisk, if it were to be laid out on the floor,
       would appear somewhat like an inverted 'T' in which the bar of
       the 'T' would be beveled on each side. It is fastened with a
       single cord. The cord binds the garment on the girl at three
       points, behind the neck, behind the back, and in front at the
       waist. The garment itself, as might be supposed, fastens behind
       the girl's neck, and, folding the two sides of the T's bar about
       her hips, ties in front. The Turian camisk, unlike the common
       camisk, will cover the girl's brand; on the other hand, unlike
       the common camisk, it leaves the back uncovered and can be tied,
       and is, snugly, the better to disclose the girl's beauty."
       (Nomads of GOR, page 90)
       "The Turian camisk is a bit like an inverted 'T,' the bar of
       which has beveled edges. It goes about the neck, down, low, and
       is drawn up, and snugly, usually quite snugly, between the legs,
       the beveled bad ends on the 'T' then being folded closely
       forward about the girl's flanks and
       (Guardsman of GOR, page 107)
       Slave Girdle
       "The cord over Marcus' shoulder, of course, was the slave
       girdle, which is used to adjust the garment on the slave. Such
       girdles may be tied in various ways, usually in such ways as to
       enhance the occupant's figure. Such girdles, too, like the
       binding fiber with which the camisk is usually secured on a
       girl, may be used to bind her."
       (Magicians of GOR, page 21)
       Leathers
       “The leathers forced on the slave maidens of the Wagon Peoples,
       taught to care for the bosk and please the masters, too, might
       be called to mind.”
       (Outlaw of GOR, page 186)
       Ta-Teera
       “One of the most exciting slave garments, if the slave is
       permitted clothing, is the Ta-Teera, or, as it is sometimes
       called, the slave rag. This is analogous to the tunic, but it is
       little more, and intentionally so, than a rag or rags. In it the
       girl is in no doubt as to whether or not she is a slave. Some
       cities do not wish girls in Ta-Teeras to be seen publicly on the
       streets. Some masters put their girls in such garments only when
       they are camping, or in the wilds. Others, of course, may
       prescribe the Ta-Teera for their girls when they are within
       their own compartments.”
       (Guardsman of GOR, page 107)
       “Joyfully I drew on the garment, slipping it over my head, and
       fastened it, more tightly about me, by the two tiny hooks on the
       left. The slit made the garment a rather snug one, easier to
       slip into; the two hooks, when fastened, naturally increased the
       snugness of the garment, drawing it quite closely about the
       breasts and hips, deliciously then, from the point of view of a
       man, the girl's figure is betrayed and accentuated; also, the
       two hooks do not close the slit on the left completely, but
       permit men to gaze upon the sweet slave flesh pent, held
       captive, within; such a garment, of course, when a man grows
       weary of having his vision obscured, is easily torn away.”
       (Slave Girl of GOR, pages 75-76)
       “Eta pulled at the bit of rag she wore. “'Ta-Teera,” she said. I
       looked down at the scrap of rag, outrageously brief, so
       scandalous, so shameful, fit only for a slave girl, which I
       wore. I smiled. I had been placed in a Ta-Teera. “Ta-Teera,” I
       said. I wore the Ta-Teera.”
       (Slave Girl of GOR, page 81)
       Kirtle
       “Only a kirtle of thin, white wool, split to the belly, stood
       between their beauty and the leather of their masters.”
       (Marauders of GOR, page 100)
       “She was blond; she was barefoot; she wore an ankle-length white
       kirtle, of white wool, sleeveless, split to her belly.”
       (Marauders of GOR, page 81)
       “Gunnhild, angrily, with two hands, jerked her kirtle to her
       waist, and stood straight, proudly before the Forkbeard, her
       breasts, which were marvelous, thrust forward.”
       (Marauders of GOR, page 85)
       Chalwar
       “From one side a slave girl, barefoot, bangled, in sashed,
       diaphanous, trousered chalwar, gathered at the ankle, its tight,
       red-silk vest, with bare midriff, fled to him, with the tall,
       graceful, silvered pot containing the black wine. She was
       veiled. She knelt, replenishing the drink. Beneath her veil, I
       saw the metal of her collar.”
       (Tribesman of GOR, page 88)
       “She wore a high, red-silk vest, swelling, fastened with a
       single hook; diaphanous red-silk chalwar, low on her hips,
       gathered at the ankles; two golden bangles on her left ankle;
       collar.”
       (Tribesman of GOR, pages 156-157)
       Haik
       “The haik, black, covers the woman from head to toe. At the
       eyes, there is a tiny bit of black lace, through which she may
       see. On her feet were soft, black, non-heeled slippers, with
       curled toes; they were decorated with a line of silver thread.”
       (Tribesman of GOR, page 44)
       “Following him, in a black haik, was a woman. Suddenly I was
       startled. As she passed me, her stride small and measured, I
       heard the clink of light chain, the sound of ankle bells. She
       was slave. She turned her head, briefly, to look at me; I saw
       her eyes, dark, through the tiny opening in the haik, through
       the tiny, black-lace screen, about an inch in height and four
       inches in width. Then, with a rustle of chain, and the tiny
       music of her bells, she turned swiftly, following her master.
       Beneath the haik, I supposed her collared, naked.”
       (Tribesmen of GOR, pages 44-45)
       Slave Silk
       "Slave Silk, and certainly that sort which is commonly worn in
       paga taverns and upon occasion in brothels, when the girls are
       permitted clothing there, is generally diaphanous. It leaves
       little doubt as to the beauty of the slave. Some girls claim
       they would rather be naked, claiming that such silk makes them
       'more naked then naked,' but most girls, and I think, even
       those, too, who speak in such a way, are grateful for even the
       wisp of gossamer shielding it provides against the imperious
       appraisals of masters, even though it must be pulled away or
       discarded instantly at a man's whim."
       (Dancer of GOR, page 224)
       "There are a large number of ways in which slave silk is worn.
       It can be worn, for example, on the shoulder or off the
       shoulder, with high necklines or plunging necklines, in open or
       closed garments, tightly or flowing, and in various lengths.
       Sometimes it is put on the girl only in halters and G-strings,
       or mere G-strings. Sometimes it is done, too, in strips wound
       about her body. The tying of slave girdles, with such silk, and
       otherwise, to emphasize the girl's figure and make clear her
       bondage, is an art in itself. Often, too, and as usually in paga
       taverns, it is worn in brief tunics. Most of these are partable
       or wraparound tunics. Such may be removed gracefuly. Some
       tunics, however, like some regular slave tunics, have a
       disrobing loop, usually at the left shoulder, where it may
       easily be reached by both a right-handed master and a right
       handed slave. A tug on the disrobing loop drops the tunic to the
       girl's ankles, also gracefully."
       (Dancer of GOR, page 225)
       Chatka, Curla, Kalmak, and Koora
       “Among the Wagon Peoples, to be clad Kajir means, for a girl, to
       wear four articles, two red two black; a red cord, the Curla, is
       tied about the waist; the Chatka, or long, narrow strip of black
       leather, fits over the cord in front, passes under, and then
       again, from the inside, passes over the cord in back; the Chatka
       is drawn tight; the Kalmak is then donned; it is a short, open,
       sleeveless vest of black leather; lastly the Koora, a strip of
       red cloth, matching the Curla, is wound about the head, to hold
       the hair back, for slave women, among the Wagon Peoples, are not
       permitted to braid, or otherwise dress their hair; it must be,
       save for the Koora, worn loose. For a male slave or Kajirus, of
       the Wagon Peoples, and there are few, save for the work chains,
       to be clad Kajir means to wear the Kes, a short, sleeveless work
       tunic of black leather.”
       (Nomads of GOR, page 30)
       “The red cord, or Curla, was knotted about my waist, tightly,
       the knot, a slip knot, might be loosened with a single tug over
       my left hip. Over the Curla in the front, slipping under the
       body and between the legs, and passing over the Curla in the
       back, was the Chatka, or narrow strip of black leather, some six
       inches in width, some five feet or so in length; it was drawn
       tight; when a girl wears the Curla and Chatka, the brand,
       whether on left or right thigh, is fully visible, for the
       inspection of masters. I also wore a brief, open, sleeveless
       vest of black leather, the Kalmak. I wore a broad Koora, which,
       kerchief like, covered most of my head.”
       (Slave Girl of GOR, pages 328-329)
       Kes
       “For a male slave, or Kajirus, of the Wagon Peoples, and there
       are few, save for the work chains, to be clad Kajir means to
       wear the Kes, a short, sleeveless work tunic of black leather.”
       (Nomads of GOR, page 30)
       Dress of the Barrens
       “About her throat, narrow, sturdy and closely fitting, was a
       steel collar. I stepped back, that I might see her better. She
       wore a short, fringed, beaded shirtdress. This came up high on
       her thighs. It was split to her waist, revealing the sweetness
       and loveliness of her breasts. It was belted upon her with a
       doubly looped, tightly knotted rawhide string. Such a string is
       more than sufficient, in its length, and in the strength and
       toughness, to tie a woman a number of ways. She was barefoot.
       About her left ankle there was, about two inches high, a beaded
       cuff, or anklet. Her garb was doubtless intended to suggest the
       distinctive, humiliating and scandalously brief garment in which
       red savages are sometimes pleased to place their white slaves.”
       (Savages of GOR, page 102)
       Frozen North
       “Before he had left, he had them sew northern garments for
       themselves, under his instruction. From the furs and hides among
       the spoils at the wall they had cut and sewn for themselves
       stockings of lart skin, and shirts of hide, and a light and
       heavy parka, each hooded and rimmed with lart fur. Too, they had
       made the high fur boots of the northern woman and the brief
       panties of fur, to which the boots, extending to the crotch,
       reach. On the hide shirts and parkas he had made them sew a
       looped design of stitching at the left shoulder, which
       represented binding fiber. This designated the garments as those
       of beasts. A similar design appeared on each of the other
       garments. About their throats now, too, they wore again four
       looped strings, each differently knotted, by means of which a
       red hunter might, upon inspection, determine that their owner
       was Imnak.”
       (Beasts of GOR, page 175)
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