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DIR Return to: The Magicians
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#Post#: 59--------------------------------------------------
Content for all devices, the challenge of new information
DIR By: kkshaha cnd
Date: September 12, 2023, 5:26 am
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He felt close to Brotteaux's character, the man "who refuses to
believe." And he was fascinated by the novelist's position: «No,
the novelist did not write his novel to condemn the Revolution,
but to examine the mystery of its actors, and with it other
mysteries, the mystery of the comic that sneaks between the
horrors, "the mystery of boredom that accompanies dramas, the
mystery of the heart that rejoices in severed heads, the mystery
of humor as the last refuge of humanity..." Kundera establishes
the link between France and Diderot or Voltaire, something
unsurprising but often considered a reproach, France's inability
to situate himself in his time, to confront it, while, deep
down, for Kundera, he is one of those who they better achieve
it. This rereading, in The Betrayed Testaments , offers another
look at what we believe, think and read from this side of
Europe. The novelist Kundera has a vision of the genre that
recalls that of Hermann Broch, one of his teachers.
The author of The Sleepwalkers did not want to remain Phone
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in the context of Mitteleuropa, to be
compared to Stefan Zweig and Arthur Schnitzler. His peers or
models were Gide and Joyce. In The Betrayed Wills, Kundera
recounts the visit to Prague of García Márquez, Fuentes and
Cortázar.
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A mysterious alchemy brings its central Europe closer to Latin
America. They are united by the baroque, which came to their
countries as the art of the conqueror and to central Europe with
the repression of the Counter-Reformation, and a beautiful
phrase summarizes this encounter: "I saw two parts of the world
initiated into the mysterious alliance of evil and beauty." It
is not surprising that he recognized the importance of the work
of Patrick Chamoiseau, of which he speaks in An Encounter , that
he supported Rushdie after the publication of The Satanic
Verses.
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