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       #Post#: 59--------------------------------------------------
       Content for all devices, the challenge of new information
   DIR By: kkshaha cnd
       Date: September 12, 2023, 5:26 am
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       He felt close to Brotteaux's character, the man "who refuses to
       believe." And he was fascinated by the novelist's position: «No,
       the novelist did not write his novel to condemn the Revolution,
       but to examine the mystery of its actors, and with it other
       mysteries, the mystery of the comic that sneaks between the
       horrors, "the mystery of boredom that accompanies dramas, the
       mystery of the heart that rejoices in severed heads, the mystery
       of humor as the last refuge of humanity..." Kundera establishes
       the link between France and Diderot or Voltaire, something
       unsurprising but often considered a reproach, France's inability
       to situate himself in his time, to confront it, while, deep
       down, for Kundera, he is one of those who they better achieve
       it. This rereading, in The Betrayed Testaments , offers another
       look at what we believe, think and read from this side of
       Europe. The novelist Kundera has a vision of the genre that
       recalls that of Hermann Broch, one of his teachers.
       The author of The Sleepwalkers did not want to remain Phone
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       in the context of Mitteleuropa, to be
       compared to Stefan Zweig and Arthur Schnitzler. His peers or
       models were Gide and Joyce. In The Betrayed Wills, Kundera
       recounts the visit to Prague of García Márquez, Fuentes and
       Cortázar.
       [img]
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       A mysterious alchemy brings its central Europe closer to Latin
       America. They are united by the baroque, which came to their
       countries as the art of the conqueror and to central Europe with
       the repression of the Counter-Reformation, and a beautiful
       phrase summarizes this encounter: "I saw two parts of the world
       initiated into the mysterious alliance of evil and beauty." It
       is not surprising that he recognized the importance of the work
       of Patrick Chamoiseau, of which he speaks in An Encounter , that
       he supported Rushdie after the publication of The Satanic
       Verses.
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