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   DIR Return to: Book 1 - Forbidden Love
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       #Post#: 25--------------------------------------------------
       The human being and his natural
   DIR By: Abu raihan
       Date: September 10, 2023, 4:40 am
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       It is as if the "natural" sceneries mostly made up of trees,
       seas, mountains, etc. have been progressively replaced by
       mechanical and then electrical industries and metropolises, in
       the age of industrialization, and then by connections, chips,
       software, hardware, robots, artificial intelligence, etc., in
       the digital age . This is the new form of matter that we have at
       our disposal. A post-material form, where even the human factor
       "crumbles" into post-human or transhuman forms , and thanks to
       the processes on the one hand of integration of the
       technological-media prostheses in the human body or in any case
       in the reference environment
       On the other hand of "lowering"  qualities to Phone Number List
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       a "robotic" level , and for a whole series
       of phenomena and movements of reality that lead man as we know
       him towards decay and therefore towards the equating to
       "bestial" forms, among which we can include the machine 5 . "How
       important is aesthetics, beauty, the attractive force in an
       object, in a tool, even technologically advanced, as well as in
       a human body, and in matter more generally?"
       Roberto-Siconolfi-BLOG-1 Robert Siconolfi Sociologist, essayist
       and mediologist.
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       Back to index The attractive force of objects As we have said,
       matter has its own quality, its own aesthetics, and therefore
       its own attractive force. In the same way, the digital, the
       technological, media object has its own attractive force. After
       all, when we buy an object – whether it is also a car, a dress,
       which are themselves media devices as Marshall McLuhan warns us
       6 , or even a personal computer, a smartphone or any other
       media-technological object and prosthesis.
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