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       #Post#: 44567--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Blutakk
       Date: June 19, 2020, 1:59 pm
       ---------------------------------------------------------
       --- Quote from: Quinten Poulsen link ---
       >
       > There is that, plus just because someone finds offence in
       something doesn't mean they're right on a particular issue, or
       that their offence is at all rational.
       >
       --- End Quote ---
       But that's why they've opened a can of worms - there is no right
       and wrong and offence is emotional not rational.
       #Post#: 44568--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Quinten Poulsen
       Date: June 19, 2020, 2:12 pm
       ---------------------------------------------------------
       --- Quote from: JammyGit link ---
       >
       > And yet with all the research done people can only point to
       the late 80s. I'll listen to the curator of the world rugby
       museum on this, I think.
       >
       --- End Quote ---
       What research was done? Was it any good?
       #Post#: 44569--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Blutakk
       Date: June 19, 2020, 2:14 pm
       ---------------------------------------------------------
       --- Quote from: Quanks link ---
       >
       > This thread is a disaster. The RFU have stated:
       >
       > Nothing about a ban, in fact it expressly states that it
       should be the fans' decision. The suggestion of a ban has come a
       very obvious subset of the UK press to deliberately court the
       ire of their readers without thinking about why the historical
       context should be reviewed.
       >
       > If BAME people are saying that they are uncomfortable with the
       singing of the song, of course there should be a review. See
       Maggie Alphonsi's comments that it doesn't sit easy with her,
       for example.
       >
       >
       --- End Quote ---
       Totally agree. But the problem now is that there is a
       presumption within the RFU statement that BAME people are
       offended. If Maggie Alphonsi's experience is typical, then most
       people, inside and outside the rugby community, were unaware of
       the connotations. By turning this lack of knowledge into a
       polarising 'sensitivity', the RFU have missed an opportunity to
       use SLSC positively as a song sung with empathy to join
       communities together. "We sing SLSC because we acknowledge the
       wrongdoings of the past"
       #Post#: 44570--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Quinten Poulsen
       Date: June 19, 2020, 2:20 pm
       ---------------------------------------------------------
       "We sing SLSC because we acknowledge the wrongdoings of the
       past"
       Well I'm glad they haven't and won't do that!
       #Post#: 44571--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: JammyGit
       Date: June 19, 2020, 2:48 pm
       ---------------------------------------------------------
       --- Quote from: Quinten Poulsen link ---
       >
       > What research was done? Was it any good?
       >
       --- End Quote ---
       They talked to fans and looked at footage of matches. Edit: Not
       to mention the players at the time, who all say it was something
       new when they heard it that day.
       There's a reason why basically everyone talks about Chris Oti
       and Martin Offiah, and why loads and loads of people can happily
       state that they sang/heard it sung in rugby clubs for years
       before, but not at Twickenham.
       #Post#: 44573--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Bayernquin
       Date: June 19, 2020, 4:13 pm
       ---------------------------------------------------------
       Rugby clubhouse postmatch songs were traditionally risqué, a few
       beers with the lads and then either home to the little woman or
       take her out for her Saturday night treat. Yes many songs were
       racist, sexist and/or misogynistic, wrong, no doubt but at the
       time we had: love thy neighbour, to death us do part (Alf
       Garnett), mind your language and many similar comedy shows on
       prime time TV with over 20 million viewers! Equal rights
       legislation for sex, religion and race was in its infancy. The
       easiest songs to learn and sing were mostly those with actions
       as well as words, henceforth the popularity of SLSC, I really
       think the  sometimes childish but  cathartic actions especially
       COMING forth to... were the reason the song came (oh the irony!)
       to be so well known and popular. My battered prop forward's
       memory seems to remember either Slough or Gu & God leaving the
       clubhouse on their knees singing High Ho! (please correct me if
       wrong could have been any club in SW London area from Ironsides
       to Devizes or Esso Fawley!, is this acceptable today? Here in
       Bavaria we have a varied tradition due to the mixed backgrounds
       of our Clubs, middle European rugby teams mostly are very multi
       cultural but the.so called 3rd half is alive and kicking!
       However singing is often a demonstration of nationality WITHIN
       the rugby community and harmony or actiion based to facilitate
       understanding and to bridge language difficulties. Players from
       the 6 Nations are not allowed to sing the following, SWSC, FOS,
       FOA, LOMF, LMar, etc because everyone knows them, new songs are
       encouraged until late on the evening and then the classics ring
       out. To paraphrase this slightly drunk lockdown emergance post,
       should SLSC be banned, No. It bores me at 6N games as its almost
       corporate now. Would I sing 4&20 Virgins anymore, no outdated!
       Am I offended by either no. I can understand that.some are but
       find 4&20 much more offensive than SLSC. Personally I will
       continue to sing SLSC at away 6N matches to irk or drown
       out(noisily) the home crowd, but not at Big Stoop as said above
       its comes across as a corporate thing for me now. ( I also
       dislike Tom Hark intensely)
       #Post#: 44574--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Domestos
       Date: June 19, 2020, 4:19 pm
       ---------------------------------------------------------
       --- Quote from: JammyGit link ---
       >
       > And yet with all the research done people can only point to
       the late 80s. I'll listen to the curator of the world rugby
       museum on this, I think.
       >
       --- End Quote ---
       Can you point me to a quote of what he said?
       #Post#: 44576--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Brown Bottle
       Date: June 19, 2020, 5:15 pm
       ---------------------------------------------------------
       --- Quote from: Domestos link ---
       >
       > Can you point me to a quote of what he said?
       >
       --- End Quote ---
       Are you incapable of doing a bit of research? You clearly have
       some facility with technology.
       #Post#: 44577--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: JammyGit
       Date: June 19, 2020, 5:19 pm
       ---------------------------------------------------------
       Will Carling also remembers it as the first time he heard it at
       Twickenham.
       You'd have thought one of those England players might have said
       something by now if it was sung at HQ during England matches
       before then.
       #Post#: 44579--------------------------------------------------
       Re: Swing Low is "racist"
   DIR By: Quinten Poulsen
       Date: June 19, 2020, 5:38 pm
       ---------------------------------------------------------
       They might have said something if they'd heard it sung at
       Twickenham, although they might not have. Perhaps Carling had a
       more finely tuned ear than other former players, along with the
       ability to catalogue all the songs sung in the crowd on any
       given day.
       Anyway, I suspect that both the museum curator and QK are
       correct.
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