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       #Post#: 20--------------------------------------------------
       The appeal of the inorganic
   DIR By: Abu raihan
       Date: September 10, 2023, 4:41 am
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       We buy it only for its performance, for its functionality or for
       its intrinsic attractive force? And therefore, when two
       subjects, or a subject and an object, or two bodies in general,
       "meet" do they meet for a simple utilitarian calculation or
       because a game of similarities is taking place between them? And
       if it's not just for utilitarianism, then we need to understand
       what forces underlie the object we want, buy or from which we
       are attracted. These forces are ultimately aesthetic forces, and
       by aesthetic we mean what expresses one's own inner strength,
       and in a harmonious way, or rather in a way that harmonizes with
       our own interiority, and always according to the law according
       to which "the similar like attracts like, like awakens like,
       like complements like.
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       after having broken with the typical
       mentality of his cultural area of ​​origin, the
       Frankfurt School 7 , reviewing the conception of the media, no
       longer as a simple service of the capitalist system, but as a
       possibility that opens holes in the processes of democratization
       8 ; in Passages (1982) he arrives at the reconstruction of the
       history of culture according to the "visual" dimension . Through
       a collection, cataloging and bricolage of themes, images and
       characters.
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       Benjamin elaborates a sort of 19th century encyclopaedia, a
       "philosophy of history" projected into the 20th century. Here
       Benjamin makes use of the fusion of technologies and cognitive
       devices, to which he pays close attention . In the Passages
       Benjamin will speak of the "sex appeal of the inorganic", or the
       fascination of what is not in life or, more precisely, taking a
       cue from Shakespeare's The Winter's Tale (1611), the fascination
       of death, of dissolution, of silence. This fascination includes
       fetishism, attention to detail and objects, seen by Benjamin as
       his "vital nerve".
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