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#Post#: 23537--------------------------------------------------
Re: Hollywood Occult Symbolism and Conspiracy
By: patrick jane Date: January 9, 2021, 6:56 am
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[quote author=patrick jane link=topic=100.msg23419#msg23419
date=1609951811]
HTML https://www.youtube.com/watch?v=BNyeSapG7HE&t=630s
[/quote]Quickly removed because it was true and exposes the sex
trafficking leaders and missing children.
#Post#: 24119--------------------------------------------------
Re: Hollywood Occult Symbolism and Conspiracy
By: patrick jane Date: January 24, 2021, 11:15 am
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HTML https://www.youtube.com/watch?v=JldUynnsGZM
#Post#: 24249--------------------------------------------------
Re: Hollywood Occult Symbolism and Conspiracy
By: patrick jane Date: January 27, 2021, 9:28 pm
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The Reason Why People Are Selling Their Souls To The Devil
10 minutes
HTML https://www.youtube.com/watch?v=heSFw5BV0PM
#Post#: 25757--------------------------------------------------
Re: Hollywood Occult Symbolism and Conspiracy
By: patrick jane Date: February 25, 2021, 7:01 pm
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HTML https://www.youtube.com/watch?v=ju3IR6Bu1pk
#Post#: 25856--------------------------------------------------
Re: Hollywood Occult Symbolism and Conspiracy
By: patrick jane Date: February 26, 2021, 4:36 am
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HTML https://www.youtube.com/watch?v=RWPh7EAIsbw
#Post#: 34999--------------------------------------------------
Re: Hollywood Occult Symbolism and Worshiping Lucifer
By: patrick jane Date: September 17, 2021, 6:57 pm
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The Satanism of Lil Nas X | Music's Dark Side
Is Lil Nas X a Satanist? With the release of his Montero album,
his “Call Me By Your Name” music video, and his infamous Satan
Shoes (with actual human blood in each sneaker!), it’s
reasonable to wonder what devilish transformation took place
with the once family-friendly Old Town Road rapper. From
country-rap to a lap dance with Satan, dive into our occult
investigation of Lil Nas X...
19 minutes
HTML https://www.youtube.com/watch?v=mPAwYaLhdMg
#Post#: 35307--------------------------------------------------
Re: Hollywood Occult Symbolism and Worshiping Lucifer
By: patrick jane Date: October 13, 2021, 8:00 am
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American Satan | Celebrities Selling Their Soul | One Eye
Symbolism ▶️️
22 minutes
HTML https://www.youtube.com/watch?v=yWMo8uDgA9U
#Post#: 35660--------------------------------------------------
Re: Hollywood Occult Symbolism and Worshiping Lucifer
By: patrick jane Date: November 12, 2021, 1:22 pm
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[img]
HTML https://www-images.christianitytoday.com/images/126323.jpg?h=528&w=940[/img]
HTML https://www.christianitytoday.com/ct/2021/november-web-only/russell-moore-social-media-fame-fake-friendship.html
Fame Is a Fake Version of Friendship
We long to be known and loved. But false community won’t get us
there.
This piece was adapted from Russell Moore’s newsletter.
Subscribe here.
Unlike Macaulay Culkin, the ten-year-old who starred in the
famous Christmas movie Home Alone, his younger brother Kieran
Culkin turned down multiple opportunities to be a child star. He
learned by observation that he didn’t want a life of
fame—knowing it could lead to things like substance abuse, court
guardianship battles, and the like.
We might be tempted to view the life choices of famous people
like the Culkin brothers from a distance. But maybe we’re
looking into a collective mirror. Today, fame is not just
something that happens to stars, child or otherwise. Thanks to
the age of social media, many of us are turning into mini-stars,
with the only real difference being the size of our audience.
The recently leaked “Facebook Files,” which discuss the inner
workings of the social media company, include data about the
harm Instagram usage inflicts on the self-image of adolescents,
especially teenage girls. Every child or teen faces a fear of
judgment from their peers. They also fear being exiled from
their social group. (This also why very few of us would ever
wish to time travel back to our middle school days.)
However, the world of social media seems to heighten these
dynamics—where almost everyone is followed by a kind of
paparazzi, exposing and subjecting us to the approval or
disapproval of our peers, acquaintances, and often complete
strangers.
Philosopher Alain de Botton argued in his book The School of
Life that one way to gauge your parenting is to ask your child
whether they aspire to be famous. He says the quest for fame is
different from other (equally risky) aspirations to acquire
wealth, power, or pleasure. The desire to be well-known, he
argues, is tied to “the intimate desire to be liked and treated
with justice and kindness by people they don’t know.”
“Fame is deeply attractive because it seems to offer very
significant benefits,” he writes. “The fantasies go like this:
when you are famous, wherever you go, your good reputation will
precede you. People will think well of you, because your merits
have been impressively explained in advance.”
De Botton goes on to say that “the desire for fame has its roots
in the experience of neglect, in injury,” adding that “no one
would want to be famous who hadn’t also, somewhere in the past,
been made to feel extremely insignificant.”
If I’m famous, the subconscious argument goes, I will be free
from facing any rejection or judgment. Not only will my parents
admire me, but I will have an instant and safe community.
However, de Botton says, the exact opposite is true: “Fame makes
people more, not less, vulnerable, because it throws them open
to unlimited judgement.”
Fame has always been a draw for at least some human beings. One
needs to look no further than the pyramids to conclude that.
However, most people throughout human history began their
journey of self-discovery in the presence of a very limited
“audience”—consisting mostly of extended family, a larger tribe,
a local village.
But today, impressionable young children are forming their
identity through social media outlets, which encompass a much
wider audience. Studies show that apps like Instagram are a risk
to the psychological health of adolescents, and not simply
because kids can be bullied online (although that does happen).
Even when young people receive affirmation from this online
collection of strangers, they will almost always seek to
maintain that attention going forward.
That is, even when someone is “winning” at their social media
game, the fear of falling becomes all the more intense—like a
cherubic dimpled child star who worries he will not be cast when
he becomes a gangly adult. This kind of pressure is bad enough
when someone is pursuing a career in film, but it can be far
worse when it comes to somebody’s life off screen.
The danger is there, not just for those who are crushed beneath
the weight of others’ judgment, but perhaps even more so for the
people who have learned coping mechanisms to protect themselves
from social judgment. Some end up as trolls who want to
preemptively lash out at those who might hurt them, while others
can become almost sociopathic in their numbness to other’s
opinions. Over time, they build a hard exoskeleton of cynicism,
which can filter out not only the judgment of online strangers
but also the counsel of real-life friends.
There are no easy answers here, especially as we move toward the
next phase of connectedness in the “metaverse” or its
equivalent. But, as with most things, I believe the right
response to the threat of social media influence is both
individual and communal.
Each of us needs to learn how to develop a rightful biblical
individualism, which is to say that God receives us into his
kingdom not collective by collective, nation by nation, or peer
group by peer group, but one by one.
The message “You must be born again” is not just directed
generically to humanity or to the Pharisees, but to one
particular Pharisee named Nicodemus—who was so fearful of losing
status among his peers that he came to Jesus by night (John 3).
Only when we realize that we personally stand before the face of
God—and that we will each give an account before the judgment
seat of Christ—only then can we be freed of the countless mini
judgment seats that are formed around our lives on a daily
basis.
But what frees us is not just the vision of a singular judgment
seat but also the one who is seated in that place. It is the
judgment seat of Christ alone. He is not someone who judges us
on our impressive achievements, curated images, or status
according to some social system. Jesus is the one who came
looking for us in the woods—and then threw a party of rejoicing
when he found us (Luke 15:3–7).
That’s why Paul could write to the Corinthians that he found it
“a very small thing that I should be judged by you or by any
human court”—even his own judgment of himself (1 Cor. 4:3, ESV).
Instead, he could entrust himself to the judgment of a Christ
who truly knew him—a serial killer with religious zeal—and loved
him anyway.
The communal side of the solution is realizing that kindness and
community cannot be found universally or generically. Instead,
we must look for—as Seth Godin puts it from a marketing
perspective—the “smallest viable audience.” That is why Jesus
placed us all into the context of a church body—a group of
people that actually gathers around a table.
Alain de Botton rightly notes that “there is no shortcut to
friendship—which is what the famous person is in effect
seeking.” Indeed, there is not. As Christians, we know that true
fellowship happens while gathered around bread and wine,
confession and repentance, mission and service—coming together
with a tangible group of people, in whose presence one can learn
to love and be loved. There is no shortcut for that.
Maybe that is what the church uniquely has to offer the world
right now—the message that you do not have to be famous to be
known. You do not have to be perfect to be loved. You do not
have to be proven right to be justified. Perhaps even child
stars can become as little children again. And even in a
metaverse, none of us are home alone.
Russell Moore leads the Public Theology Project at Christianity
Today.
#Post#: 35813--------------------------------------------------
Re: Hollywood Occult Symbolism and Worshiping Lucifer
By: patrick jane Date: November 22, 2021, 3:27 pm
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Producer of “Hunger Games” talks about Hollywood pedophiles
HTML https://www.youtube.com/watch?v=Qf4I1ADAFXY
A CHILD'S VOICE FULL MOVIE
"5.5 million Children are Trafficked Around the World" every
year."
Although this is a fictional movie, the director made an
emotional appeal recently, encouraging the mass sharing of this,
as a lot of the storyline IS ACTUALLY TAKING PLACE IN REALTIME!
IMDb:n (Supernatural Thriller) A homeless teen answers the voice
of a child calling out for help and is sent on a journey to find
a human trafficking network run by the child's killer.
Warning graphic language and violence
HTML https://www.youtube.com/watch?v=ZnKhObxsDM0
#Post#: 36369--------------------------------------------------
Re: Hollywood Occult Symbolism and Worshiping Lucifer
By: patrick jane Date: December 28, 2021, 10:33 pm
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HTML https://www.youtube.com/watch?v=CQoOXKj2auM
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